Sunday 29 May 2016

Introduction to Memoir

Listening, Reading & Viewing

Language Features-Shows an increasing understanding of how language features are used for effect within and across texts.

Indicators-identifies oral, written, and visual features used and recognises and describes their effects

Speaking, Reading & Presenting

Purposes and audiences-Shows an increasing understanding of how to shape texts for different purposes and audiences.

Indicators-constructs texts that show an awareness of purpose and audience through deliberate choice of content, language, and text form


This Town

The town was usual enough; it had
A creek, a bridge, a beach, a sky
Over it, and even a small tin church
I never went to. My brother, my cousins and I
Did what boys do - dozed in the hot
Schoolroom, made bows and arrows, dodged the mad
Boatbuilder, crept like rabbits through the black
Under-runners with a weak torch,
Burnt dry rushes, wrestled or swam
Doing nothing important

James K Baxter


WALT-Add Energy to our Writing.
SC-Identify the structure and devices so that we can borrow the framework

PLANNING

This town by James K Baxter

Cloze Reading;
After the reading, complete a 3 Level Guide (please make a copy straight away and put it in your reading folder)

After we have read the poem and completed the 3 Level Guide we then need to identify how James K Baxter has used certain the structures and devices...in pinch them!

Questions to think about:

Any unfamiliar words?
What do you notice about the punctuation? How is it used for effect?
What is the writer trying to do?
What time of the year is it? How do you know?
What are the nouns? What about verbs? What do you notice about them?
Where are we? How do you know?
What does the town have?

From the above questions, we should begin to be able to co-construct a poem, inspired by This Town.

Select a place that is significant. Share with someone else.
Complete a spider map/brainstorm, with your name in the centre, with ideas radiating out from it.
Write: The _______ was usual enough...
Pick 5 nouns related to the place.
Pick 5 strong verbs (what are STRONG  verbs anyway?)
Include Did what boys/girls do- in between the nouns and actions
Conclude with Doing nothing important.

EXAMPLES

Jordyn's My Backyard

Piano Rock By Gavin Bishop

PUNKuation Workshop

Mentor text-Life: an exploded diagram by Mal Peet

How to use a semi-colon



Saturday 21 May 2016

HIDE & SEEK

AO: IDEAS.Select, develop, and communicate ideas on a range of topics
INDICATORS: adds or changes details and comments to support ideas, showing thoughtful selection in the process. Communicates ideas clearly drawing on a range of sources

Worst hider ever?
The big idea with this piece of writing was that we could use any old experience and turn it into an exciting piece to write about. In this case, playing a game of hide and seek.

The first job here was to read James Norcliff's short story Coming ready or Not! And Vernon Scannell's poem Hide and Seek. Using an easy organiser, we could then pull our own bare bones of the story/poem from the text and use it to make our own connections in readiness for writing. See link here for what I mean

Hmmmm...I wonder where he could be?
Since I love both of these and they link beautifully, we may as well complete a reading task on them as well. Below in the 'useful links' is a copy of the 3 level guide that we used to find the literal & inferential ideas within the text, as well as applying our own connections.There's also a blank one. Take a copy.

Specific Focus 1: Creating Impact

How has Veron Scannell achieved 'Impact'. Click here for the link from Gail Loane's Book. Can we find any of these in James Norcliff's piece? For this task, your WALT is going to be to achieve impact. Your success criteria will be to use any of the ideas detailed in the list...so choose one and use it! You may find that you use other accidentally. Can we write a SOLO rubric for those that want it assessed?


Specific Focus 2: Crafting

I really want you to show evidence of being able to craft. This will mean having your piece finished and parking it. Then you need to share it with someone. Mr. Wood? A writing buddy? You need to ask yourself...
  1. has your piece captured your experience in the way you intended? 
  2. if not, what changes could you make?
  3. what verbs could be replaced that have strong connotations?


Exemplars

Joseph's Hide and Seek (Audio)
Joseph's Hide and Seek (Text) 

Useful Links

The PLAN
Connections organiser
Hide & Seek by Vernon Scannell
Coming ready or not! by James Norcliff
Blank 3 Level Guide (for cloze)
Our example of the 3 Level Guide (for cloze)

Sunday 8 May 2016

AAAWWUBBIS!

WALT: write simple, compound and complex sentences

What are the differences between the types of sentences?padlet


https://youtu.be/nNrvAmM3M2I

Wednesday 4 May 2016

3 poems by Roger McGough

Roger McGough has written some amazing poems. Some terrifying, clever or just funny. Here are 3 of my favourite:

The Lesson
A Brown Paper Carrier Bag
Didgeridoo

As a class we decided to create our versions of A Brown Paper Carrier Bag, Focusing on the FORM and the device of SLOW MOTION.  Then we created our mini memoirs I Remember when...

When we re-read the poem we noticed:

STRUCTURE

  • the poem has a FRAME that makes it happen in slow motion. It is repeated but extended on. (In the time...In the time it takes...)
  • 3 STANZAS of 4 lines between the repeated phrase
  • The body of the poem shows us things happening in slow motion




Monday 2 May 2016

Is it or isn't it? Simple Sentences

TUESDAY 3rd MAY

WALT identify what make an independent clause (simple sentence)

When you write a sentence, how do you know you've ACTUALLY written one? (a correct grammatical sentence I mean?)

Heres a copy of examples: What do you notice?

My hair wakes up stupid
     -Tony Johnson, Any Small Goodness (2003)

My sweat smells of peanut butter
     -Wendy Mass, Jeremy Fink and the Meaning of Life (2006)

IS IT OR ISNT IT?

He paced.
And mosquitos.
Stacy gasped.
Eric stirred.
And gnats.
Another corpse.
Jeff shrugged.
Amy turned.
To look.
Jeff nodded.
Jeff sighed
    
 -Scott Smith, The Ruins (2006)