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Thursday 25 September 2014
Jack's Memoir
Lately this term, we have been writing more substantial pieces of prose. Even though we only 12-13 years under our belts, doesn't mean we haven't got things to say!
Booktrack
Booktrack
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Jayni Rose's (snippet)
Here's a bit from Jayni-Roses' writing where I think she has really tried to make it sound realistic. The dialogue makes it sound like it's her.
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Sunday 21 September 2014
Revising Observing & Noticing
Remember those poems we wrote? The ones about the Kowhai Pods & the walnuts? We identified the NOUNS and then we ACTIVATED them by making them do something.
In your memoir writing (when you are describing anything) try an make your nouns do something.
Here's an example
Soaked papers cling to aged stone
Dustbin lids rock to and fro in the light wind
milk cartons, beer bottles and newspapers
squeeze through holed, rusty and overloaded bins.
Broken drainpipes hang from decaying and depressing walls,
thieving rats raid abandoned houses.
Tuesday 16 September 2014
Just Get GOING!
So how do writers start writing (other than the obvious)?
You know when you read the opening sentence/paragraph of a book and you are hooked? What do they do that makes us want to invest our time in it? If we look at a variety of opening paragraphs, we may be able to find some patterns and commonalities.
From Life: An exploded Diagram by Mal Peet
Here's what we found:
In the opening sentence, Mal Peet
What are other ways to hook us in. On our Memoir checklist it says
The reader gets ‘hooked’ right at the start-through such devices as: direct speech, monologue, dialogue, question command, scene setting by showing not telling, problem outline, tension
Here's what we found:
In the opening sentence, Mal Peet
- introduced a character,
- what she was doing,
- where she was,
- when it was (R.A.F spitfire & ..."she'd often say over the years."
- a complication and a resolution (of sorts!)
- direct speech
- informal language (that gives more insight into the character)
What are other ways to hook us in. On our Memoir checklist it says
The reader gets ‘hooked’ right at the start-through such devices as: direct speech, monologue, dialogue, question command, scene setting by showing not telling, problem outline, tension
Can we find examples of these to use as mentor texts?
Labels:
Getting going,
hook,
introduction,
nuts and bolts,
orientation
Monday 1 September 2014
Introduction to Memoir
Listening, Reading & Viewing
Language Features-Shows an increasing understanding of how language features are used for effect within and across texts.
Indicators-identifies oral, written, and visual features used and recognises and describes their effectsSpeaking, Reading & Presenting
Purposes and audiences-Shows an increasing understanding of how to shape texts for different purposes and audiences.
Indicators-constructs texts that show an awareness of purpose and audience through deliberate choice of content, language, and text form
This Town
The town was usual enough; it had
A creek, a bridge, a beach, a sky
Over it, and even a small tin church
I never went to. My brother, my cousins and I
Did what boys do - dozed in the hot
Schoolroom, made bows and arrows, dodged the mad
Boatbuilder, crept like rabbits through the black
Under-runners with a weak torch,
Burnt dry rushes, wrestled or swam
Doing nothing important
James K Baxter
WALT-Add Energy to our Writing.
SC-Identify the structure and devices so that we can borrow the framework
PLANNING
This town by James K Baxter
Cloze Reading;
After the reading, complete a 3 Level Guide (please make a copy straight away and put it in your reading folder)
After we have read the poem and completed the 3 Level Guide we then need to identify how James K Baxter has used certain the structures and devices...in pinch them!
Questions to think about:
Any unfamiliar words?What do you notice about the punctuation? How is it used for effect?
What is the writer trying to do?
What time of the year is it? How do you know?
What are the nouns? What about verbs? What do you notice about them?
Where are we? How do you know?
What does the town have?
From the above questions, we should begin to be able to co-construct a poem, inspired by This Town.
Select a place that is significant. Share with someone else.
Complete a spider map/brainstorm, with your name in the centre, with ideas radiating out from it.
Write: The _______ was usual enough...
Pick 5 nouns related to the place.
Pick 5 strong verbs (what are STRONG verbs anyway?)
Include Did what boys/girls do- in between the nouns and actions
Conclude with Doing nothing important.
EXAMPLES
Jordyn's My Backyard
Piano Rock By Gavin Bishop
PUNKuation Workshop
Mentor text-Life: an exploded diagram by Mal Peet
How to use a semi-colon
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